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18 <h1>Music I Enjoy</h1>
19 <div class="contents">
20<dl>
21<dt>
22<a href="#sec1">The Bands I Like the Most</a>
23</dt>
24<dd>
25<dl>
26<dt>
27<a href="#sec2">Skyclad</a>
28</dt>
29<dt>
30<a href="#sec3">Kevin Moore</a>
31</dt>
32<dd>
33<dl>
34<dt>
35<a href="#sec4">Chroma Key</a>
36</dt>
37<dt>
38<a href="#sec5">OSI</a>
39</dt>
40</dl>
41</dd>
42</dl>
43</dd>
44</dl>
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47
48<!-- Page published by Emacs Muse begins here -->
49<p>I have a <a href="http://www.last.fm/user/unknown_lamer/">last.fm</a> account.</p>
50
51<h2><a name="sec1" id="sec1"></a>
52The Bands I Like the Most</h2>
53
54<h3><a name="sec2" id="sec2"></a>
55Skyclad</h3>
56
57<p class="first">Skyclad is incredible folk metal. The first two albums (<em>Wayward Sons
58of Mother Earth</em> and <em>Burnt Offerings for the Bone Idol</em>) are Testament
59style thrash with a bit of fiddle and keys and a heavy dose of
60NWOBHM. The third album, <em>Jonah's Ark</em>, blunts the edge of the guitars
61and adds a lot more fiddle and is really where the band goes from
62making good to incredible music.</p>
63
64<p><em>Prince of the Poverty Line</em> is about as 'heavy' as the first two
65albums, but the the song structures are far more worked out and there
66is an interesting infusion of folk and power metal into the sound. The
67songs are mostly scathing social critiques of the state of society at
68the time. The follow up, <em>Silent Whales of Lunar Sea</em>, is a decent album
69but is scarred by terrible recording quality and mixing. It has
70listenable songs (with &quot;The Present Imperfect&quot; and &quot;Another Fine Mess&quot;
71standing out), and the only really noteable aspect is the slight
72change toward a much less thrashy riff structure.</p>
73
74<p><em>Irrational Anthems</em> more than made up for <em>Silent Whales of Lunar
75Sea</em>. The less thrashy and slightly more punkish riffing structure
76takes over here and the songs are all fast paced with guitar and
77fiddle duels taking place often</p>
78
79<p>The next two albums see the electric guitar deemphasized and the band
80making something more like heavy rock than heavy metal. The EP <em>Oui
81Avante Garde a Chance</em> starts out with a fast paced fiddle oriented
82song, moves into a nearly entirely fiddle and acoustic guitar song,
83and then goes into a few slow songs dominated by keys and fiddle. The
84albums picks up in intensity with <em>Bombjour</em>, and then has an acoustic
85version of a song from the previous album. The new material ends with
86the slow and intense <em>Badtime Story</em>. A couple of covers and an
87instrumental version of a song follow to pad the EP to album length.</p>
88
89<p><em>The Answer Machine?</em> was once my favorite album in my entire
90collection. Most of the songs have a fuzzy electric guitar and an
91acoustic guitar going at the same time, and the album is music that I
92have found is listenable to people who don't like metal. The fiddle,
93violin, and piano dominate and are backed by interesting bass and just
94the right amount of guitar. The album is a pseudo-concept album; each
95song is about a different quest for the answer to life. Unfortunately,
96here is also where the influence of their producer can start to be
97felt&mdash;a lot of things seem to be done for the sake of <em>sensibility</em>.</p>
98
99<p>The last two Skyclad albums with Martin Walkyier (the original singer)
100see a two step return to a more metal style, but this time something
101resembling <em>Powerslave</em> era Maiden with heavy folk overtones rather than
102Testament. Both albums are fairly strong, and have a few songs that
103are among the best Skyclad has ever done: &quot;Cancer of the Heart&quot; and
104&quot;Vintage Whine&quot; on <em>Vintage Whine</em>, and &quot;The Antibody Politic,&quot; &quot;The
105Disenchanted Forest,&quot; and &quot;Think Back and Lie of England&quot; on <em>Folkémon</em>.</p>
106
107<p>Alas, after <em>Folkémon</em> Martin left, and the band seems to have lost its
108magic. It is much like At the Gates; the core members meshed quite
109well together and lost some magical chemistry upon a major component
110leaving. Skyclad's first album with the new singer was ok, and the
111followup was a bit better. Unfortunately Kevin Ridley appears unable
112to sing aggressively.</p>
113
114
115<h3><a name="sec3" id="sec3"></a>
116Kevin Moore</h3>
117
118<p class="first">Kevin Moore is the first keyboardist of Dream Theater who left after
119<em>Awake</em>. His work since then has surpassed the quality of everything
120Dream Theater has produced since then for he posesses a unique
121songwriting style and wonderful artistic ability.</p>
122
123<h4><a name="sec4" id="sec4"></a>
124Chroma Key</h4>
125
126<p class="first">Chroma Key is (was?) Kevin Moore's primary project. It is mostly
127electronic and fairly mellow. Secretly I like it (don't tell anyone I
128listen to anything not metal).</p>
129
130
131<h4><a name="sec5" id="sec5"></a>
132OSI</h4>
133
134<p class="first">OSI was originally a collaboration between Kevin Moore, Jim Matheos
135(guitarist of Fates Warning), Mike Portnoy (drummer of Dream Theater),
136and a few other prog rock/metal people. The first album, <em>Office of
137Strategic Influence</em> was a moderately heavy and good album that sounded
138quite similar to <em>Disconnected</em> Fates Warning with Kevin Moore on vocals
139and complicated drumming.</p>
140
141<p><em>Free</em> followed three years later and is completely different from the
142first. This time the album was done with Kevin Moore and Jim Matheos
143alone, and it finds a much nicer balance between keyboard and
144guitar. The first OSI sounded too much like Fates Warning with more
145ambient keyboarding; this one has a sound of its own. My ears have
146heard this album many times, and will listen again many more.</p>
147
148<p>I'm not really digging <em>Blood</em> that much, but it's not bad.</p>
149
150
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182<p class="cke-timestamp">Last Modified:
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